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[theme music]

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[siren blaring]

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Eee-yabba-dabba-doo!

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♪ Flintstones meet the Flintstones ♪

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♪ They're the modern stone age family ♪

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♪ From the town of Bedrock ♪

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♪ They're a page right out of history ♪

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♪ Let's ride with the family down the street ♪

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♪ Through the courtesy of Fred's two feet ♪

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♪ When you're with the Flintstones ♪

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♪ Have a yabba-dabba-doo time ♪

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♪ A dabba-doo time ♪

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♪ You'll have a gay old time ♪♪

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"Now building Bedrock Bowl."

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Yeah, it's really gonna be a big one too.

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(male

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'came all the way from Pismo beach.'

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(male

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Easy, easy, That's it. Up.

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She goes. Easy.

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[yelping]

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Whoa! Hold on there.

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Whoa!

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What is it, Lulu Belle?

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That tooth bothering you again?

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[whimpering]

27
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Let's have a look.

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Wow, you sure have..

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Ooh, looks like a bad one.

30
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What's the trouble, Flintstone? Why aren't you working?

31
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Lulu Belle's got a bad tooth, boss.

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Impossible. Her group had 21 percent fewer cavities.

33
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Well, she's got a bad tooth alright. Take a look.

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Can't be. But it sure enough is.

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I'll get the company dentist over here.

36
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Delays, delays.

37
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This is Mr. Slate calling Dr. Ben Cavity.

38
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Come to excavation site B. Bad molar on Lulu Belle.

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Oh, boy. I hate these rush jobs.

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craw

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'This is Mr. Slate calling Dr. Ben cavity'

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on to excavation site B.

43
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Bad molar on Lulu Belle.

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craw

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- Here comes the dentist. - It's about time.

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[instrumental music]

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Hurry, man. This delay is costly.

48
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Yes, sir.

49
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Hmm. Oh my, yes.

50
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Bad. Very bad. It's got to come out.

51
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Not him, it's Lulu Belle. Put in a filling doc and hurry it up.

52
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We gotta get this Bedrock Bowl finished.

53
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- When's the dedication program? - Saturday.

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(Fred) What kind of program they gonna put on?

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'For the opening show, I mean.'

56
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I heard it was gonna be a big TV special.

57
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Right! Starring none other than Ann Margrock herself.

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No kidding. Ann Margrock? I hear she's great!

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Hmm. That's a pretty nice-looking filling

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if I do say so myself.

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[chuckles] And now, my signature.

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Where does he think he is? Granites Chinese?

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♪ Lalala tee lup tara tey tu tudu tu me me meee ♪

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Well, if it isn't loudmouth Harry.

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Well, hello there, Fred baby.

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What're you supposed to be doing?

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I'm supposed to be trying out the acoustics.

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I plan to be singing here Saturday night.

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Are you really going to be in the Ann Margrock show?

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[instrumental music]

71
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They're looking for local talent, eh?

72
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That's right. I'm on my way to stardom, baby.

73
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This is really a break. Especially for Ann Margrock.

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To be able to discover a talented guy like  me.

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Hey, what's going on over there?

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[clamoring]

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screech

78
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Oh, that's where Ann Margrock's staying.

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I'll get out here, Fred baby.

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Hello? Hello, this is Bobby Rockley.

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Ann Margrock's manager.

82
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Can't we get a little quiet here?

83
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Oh, isn't this wonderful?

84
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No. You gotta sneak away, find some place

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where nobody knows you, someplace where you can relax

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and get ready for the show.

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Well, this is alright. I like it here.

88
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Nope, nope. Won't do. Come on, Ann.

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You can slip out the back way.

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[instrumental music]

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Now remember, I want you to take it easy.

92
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Well, if you insist. Bye.

93
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And call me, when you find a place.

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Well, as far as I'm concerned if big mouth Harry Goldbrick

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can audition, so can we.

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- I don't know, Fred. - I do.

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We can use the garage to work up the act.

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[Pebbles crying]

99
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Wilma! Your baby is crying!

100
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Oh, it's my baby now. Why is it?

101
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It's your baby when she's quiet and my baby when she cries.

102
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Look, Wilma, Barney and me have to--

103
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Sorry, Fred. You'll have to keep an eye on her.

104
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I'm just swamped with housework.

105
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I thought you're gonna get a high school girl

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to come in and babysit.

107
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I couldn't get anyone, they're all too excited

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about Ann Margrock being in town.

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I'll tell you what

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you beeswax the floor and I'll baby sit.

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Okay, I'll watch her.

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That does it, you can't work up an act

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and babysit for Pebbles at the same time.

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Yeah, and we don't even get to see Ann Margrock either.

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[comical music]

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♪ Tu tu tudu tu tu tu du ♪

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thud

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Uh, just my luck. A flat tire.

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[Pebbles crying]

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Look, Pebbles, I'm a monkey.

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eek eek eek

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Oh, will you knock it off, Barney? You're scaring her.

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[knock on door]

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Oh, boy. What next?

125
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Yes?

126
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Pardon me, could I use your phone?

127
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Huh? Oh, sure, sure. Uh-uh, come on in.

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Thank you so much, you see, my car broke down

129
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in front of your house and..

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Ah, what an adorable baby.

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Hello, precious.

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[Pebble babbling]

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[chuckling]

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How 'bout that? Pebbles likes you, miss.

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[Fred giggling] Yeah, she sure does.

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Oh, well, the phone is over here, miss.

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[Pebbles crying]

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Uh-oh, here we go again.

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I better pick her up. Come on, little Pebbly-poo.

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Hi, everything's fine, Rockley. Just a little car trouble.

141
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No. No, I haven't found a place to stay yet.

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You hear that, Fred? She's looking for a place to stay.

143
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Hey, maybe we've gotten us a babysitter.

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Yes, I'll call you as soon as I do. Bye.

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- Thank you so much, Mister.. - Uh, Flintstone, miss.

146
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Uh, Fred Flintstone. And this is my partner Barney Rubble.

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Hi.

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I, uh, couldn't help overhearing you

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on the phone.

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You, uh, looking for a place to stay?

151
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Why, yes, I am.

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In town for the Ann Margrock show, huh?

153
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Oh, yes, you might say so.

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Oh, why don't you stay here?

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[Pebbles babbling]

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[chuckles] Pebbles likes you.

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All you've to do is keep an eye on her.

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Well, it's certainly cozy and quiet here.

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And she is awfully cute.

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Then it's a deal. Wilma!

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What's the matter? What's wrong?

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Nothing's wrong. Everything's great.

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And this young lady's looking for a place to stay

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for a couple of days and she's willing to look after the baby.

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And Pebble's likes her. Look.

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[laughing] Yes. I can see she does.

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That's awfully nice of you, Miss..

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My name's Annie. You have a beautiful baby.

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- Thank you. - Come on, Barney boy.

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Let's get out to the garage and polish up our act.

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Right.

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[both laughing]

173
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Oh, fellas, for heaven's sake.

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You have just one child, Mrs. Flintstone?

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Sometimes I wonder.

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[both giggling]

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[instrumental music]

178
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Well, Barney boy, what little ditty

179
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will we dazzle them with at the ball?

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Here, I got it, this'll wow 'em.

181
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I hope this isn't a long playing record.

182
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- I'm tired. - What're you kickin' about?

183
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My beak isn't exactly a diamond point, you know.

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[instrumental music]

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♪ Fred and Barney sing on key ♪

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♪ Fred and Barney singing do-re-mi ♪

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♪ Lay your heart to beat ♪

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♪ When they sing a song ♪

189
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♪ Lay your heart to beat they can do no wrong ♪

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♪ In the song ♪♪

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[Pebbles crying]

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There, there, now. Don't cry, darling.

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[lullaby music]

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♪ You are still awake and it's half past your bedtime ♪

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♪ That sandman had a date he didn't keep ♪

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♪ But when the lambs commence to jump across the fence ♪

197
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♪ I'll count them all until you fall asleep ♪

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♪ The first little lamb ♪

199
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♪ Jumped over the fence ♪

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♪ And was off to the land of Nod ♪

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♪ The second and third ♪

202
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♪ Were close behind ♪

203
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♪ Like three little peas in a pod ♪

204
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♪ The fourth little lamb was too chubby to jump ♪

205
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♪ He crawled under instead ♪

206
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♪ The fifth little lamb wasn't there at all ♪

207
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♪ He must have stayed home in bed ♪

208
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♪ Number six jumped around as confused as could be ♪

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♪ He didn't know where he had been ♪

210
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♪ He jumped over that's true but before he was through ♪

211
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♪ He jumped over jumped back ♪

212
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♪ Then jumped over again ♪

213
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♪ The next little lamb ♪

214
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♪ Was the littlest lamb ♪

215
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♪ Too little for such a big leap ♪

216
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♪ Though he tried like a scout ♪

217
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♪ He soon tuckered out ♪

218
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♪ And the littlest lamb was asleep ♪

219
00:11:28,000 --> 00:11:32,000
♪ The littlest lamb ♪

220
00:11:32,000 --> 00:11:38,000
♪ Is asleep ♪

221
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[Fred laughing] Hey, look at this one, Barney. Let's try a chorus.

222
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♪ While strolling by the rock one day ♪♪

223
00:11:51,000 --> 00:11:53,000
Fellas, fellas! Hey, could you hold it down?

224
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- The baby's asleep. - We gotta work up an act.

225
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An act? You do an act?

226
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Maybe you'd like to watch some real professionals work.

227
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Well, I'd love to. I'll tell you what.

228
00:12:03,000 --> 00:12:05,000
I'll put the baby in the other room and be right out.

229
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Okay, Barn, let's take it from the top.

230
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He he he.

231
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That's, uh, show biz talk.

232
00:12:13,000 --> 00:12:15,000
Uh, this time we'll do a little chorus

233
00:12:15,000 --> 00:12:18,000
of "Gravel Me Back To Old Virginny."

234
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♪ Gravel me back to old Virginny ♪

235
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♪ That's where the cotton and the corn.. ♪

236
00:12:29,000 --> 00:12:31,000
Mr. Flintstone. Uh, Mr. Flintstone.

237
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Say, um, why don't you use those hats and canes?

238
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It would dress up your act.

239
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Oh, yeah. Well, uh, I was gonna do that later.

240
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Pretty nifty, huh?

241
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Here you are, partner. Catch.

242
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Righto, old champ.

243
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Ta-daa.

244
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It would be nice if you put some movement into it too.

245
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(Fred) Movement? Like what?

246
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May I borrow your hat and cane, Mr. Rubble?

247
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Sure. Be my guest.

248
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Now, then, shall we take it from the top?

249
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[instrumental music]

250
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slam

251
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- Hey, you're good, Annie. - You're the greatest!

252
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And you're both absolutely wonderful.

253
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[telephone ringing]

254
00:13:31,000 --> 00:13:34,000
Rockley speaking. Hello, Ann?

255
00:13:34,000 --> 00:13:36,000
Ann, where have you been?

256
00:13:36,000 --> 00:13:38,000
I tried to get a hold of you yesterday.

257
00:13:38,000 --> 00:13:39,000
We're having sponsor trouble.

258
00:13:39,000 --> 00:13:42,000
I'll meet you down at Bedrock Bowl right away.

259
00:13:42,000 --> 00:13:44,000
Oh, dear, I don't see how I can.

260
00:13:44,000 --> 00:13:47,000
I have the baby to look after and-and nobody's up yet.

261
00:13:47,000 --> 00:13:50,000
But, Ann. Ann! this is important!

262
00:13:51,000 --> 00:13:53,000
Baby? What baby?

263
00:13:53,000 --> 00:13:55,000
Oh, alright, alright. I'll be there.

264
00:13:55,000 --> 00:13:58,000
I just have to bring her with me, that's all.

265
00:13:59,000 --> 00:14:03,000
But Mr. Sponsor, Ann Margrock's a star.

266
00:14:03,000 --> 00:14:05,000
She can do any kind of music!

267
00:14:05,000 --> 00:14:08,000
I don't believe it. These young singers.

268
00:14:08,000 --> 00:14:12,000
All they can sing is this oh-hop-a-dop stuff.

269
00:14:12,000 --> 00:14:16,000
But I tell you, Ann Margrock can do any kind of music.

270
00:14:16,000 --> 00:14:19,000
Now, you be a good girl and I'll be right back.

271
00:14:20,000 --> 00:14:22,000
[Pebbles crying]

272
00:14:22,000 --> 00:14:26,000
Alright, alright, honey. I think I'm spoiling you.

273
00:14:26,000 --> 00:14:28,000
[Pebbles cooing]

274
00:14:28,000 --> 00:14:31,000
(Annie) Now, close your eyes.

275
00:14:31,000 --> 00:14:33,000
[instrumental music]

276
00:14:33,000 --> 00:14:39,000
♪ This little lamb is the littlest lamb ♪

277
00:14:40,000 --> 00:14:45,000
♪ Too little for such a big leap ♪

278
00:14:46,000 --> 00:14:50,000
♪ Though you try like a scout ♪

279
00:14:50,000 --> 00:14:53,000
♪ You soon tucker out ♪

280
00:14:53,000 --> 00:15:00,000
♪ Now my littlest lamb is asleep ♪

281
00:15:03,000 --> 00:15:07,000
♪ My littlest lamb ♪

282
00:15:07,000 --> 00:15:11,000
♪ Is asleep ♪♪

283
00:15:11,000 --> 00:15:14,000
- Who's that girl? - That's your star.

284
00:15:14,000 --> 00:15:18,000
That was beautiful. Just lovely.

285
00:15:18,000 --> 00:15:23,000
I'm proud to have you on the show. Proud!

286
00:15:23,000 --> 00:15:26,000
My mother used to sing that song to me.

287
00:15:26,000 --> 00:15:30,000
What a beautiful child. Who is she?

288
00:15:30,000 --> 00:15:33,000
She belongs to the Flintstones. The people I'm staying with.

289
00:15:33,000 --> 00:15:35,000
You make a wonderful team.

290
00:15:35,000 --> 00:15:39,000
- Well, thank you, sir. - It's a fact. Good day.

291
00:15:39,000 --> 00:15:43,000
Flintstone, huh? Well, we owe that baby a vote of thanks.

292
00:15:43,000 --> 00:15:45,000
She helped save the day.

293
00:15:47,000 --> 00:15:49,000
Uh, how do you think our audition went, Fred?

294
00:15:49,000 --> 00:15:52,000
Are you kidding? We murdered 'em.

295
00:15:52,000 --> 00:15:55,000
How come they stopped us after the first chorus?

296
00:15:55,000 --> 00:15:57,000
Well, they're sure enough to know

297
00:15:57,000 --> 00:15:58,000
that we've got what it takes.

298
00:15:58,000 --> 00:16:01,000
Uh, then how come that fellow was holding his nose?

299
00:16:01,000 --> 00:16:04,000
He was pointing at his nose, Barney.

300
00:16:04,000 --> 00:16:08,000
That's a television signal. It means they're on time.

301
00:16:08,000 --> 00:16:11,000
Hey, hold it. Here comes a couple of the big shots.

302
00:16:11,000 --> 00:16:16,000
Beautiful. In all my years, I've never heard anything like it.

303
00:16:16,000 --> 00:16:20,000
Ann Margrock and, uh, what was that name again?

304
00:16:20,000 --> 00:16:24,000
- Uh, Flintstone. - Yes, Flintstone.

305
00:16:24,000 --> 00:16:29,000
Margrock and Flintstone. What a sensational combination.

306
00:16:29,000 --> 00:16:33,000
You hear that? He said we're sensational.

307
00:16:33,000 --> 00:16:36,000
We're in, Barney! They want us to work with Ann Margrock.

308
00:16:36,000 --> 00:16:38,000
How come they didn't mention my name?

309
00:16:38,000 --> 00:16:41,000
What's the difference? They know we're a team.

310
00:16:41,000 --> 00:16:42,000
Flintstone and Rubble.

311
00:16:42,000 --> 00:16:45,000
You mean, Rubble and Flintstone.

312
00:16:45,000 --> 00:16:47,000
[chuckling]

313
00:16:50,000 --> 00:16:52,000
It's true, Barney and I

314
00:16:52,000 --> 00:16:55,000
are gonna be on the Ann Margrock Show.

315
00:16:55,000 --> 00:16:57,000
Then it's right to the top.

316
00:16:57,000 --> 00:17:00,000
We're gonna be big stars.

317
00:17:00,000 --> 00:17:02,000
- What's that for? - To wake you both up.

318
00:17:02,000 --> 00:17:05,000
- You were dreaming. - Yeah. Ha ha ha.

319
00:17:05,000 --> 00:17:08,000
Well, just watch the TV show tonight.

320
00:17:08,000 --> 00:17:12,000
- And call up everyone we know! - Get everybody tuned in.

321
00:17:12,000 --> 00:17:15,000
- Time for one more rehearsal. - Right, partner.

322
00:17:15,000 --> 00:17:18,000
♪ Yabba-dabba-dabba yabba-dabba-dabba ♪

323
00:17:18,000 --> 00:17:20,000
♪ Yabba-dabba-dabba ♪

324
00:17:20,000 --> 00:17:22,000
Is it possible?

325
00:17:22,000 --> 00:17:25,000
Fred and Barney singing on television?

326
00:17:25,000 --> 00:17:28,000
You know something, Barney, we're being selfish.

327
00:17:28,000 --> 00:17:31,000
- Selfish? - I mean about Annie.

328
00:17:31,000 --> 00:17:33,000
After all, she did help us.

329
00:17:33,000 --> 00:17:36,000
Fred, I'm proud of you. Here she comes now.

330
00:17:37,000 --> 00:17:38,000
- Oh, Annie. - Yes, sir?

331
00:17:38,000 --> 00:17:40,000
Papa, papa, papa.

332
00:17:40,000 --> 00:17:42,000
I got big news. Now, brace yourself.

333
00:17:42,000 --> 00:17:44,000
You ready?

334
00:17:44,000 --> 00:17:46,000
Well, you are gonna be on the stage

335
00:17:46,000 --> 00:17:48,000
at the Bedrock Bowl tonight.

336
00:17:48,000 --> 00:17:49,000
Uh-huh.

337
00:17:49,000 --> 00:17:51,000
I guess, she's in a deep state of shock.

338
00:17:52,000 --> 00:17:54,000
Now, don't think. I mean it.

339
00:17:54,000 --> 00:17:57,000
Uh, Barney and I are gonna be on the Ann Margrock Show.

340
00:17:57,000 --> 00:18:00,000
And you've been so darn sweet and helpful

341
00:18:00,000 --> 00:18:02,000
we want you to appear with us.

342
00:18:02,000 --> 00:18:04,000
You mean, you'll take me on as a partner?

343
00:18:04,000 --> 00:18:07,000
That's right. We think you've got lots of talent.

344
00:18:07,000 --> 00:18:10,000
We want you to have every chance for a big career.

345
00:18:10,000 --> 00:18:12,000
See you backstage at 8:00.

346
00:18:12,000 --> 00:18:15,000
I'll be there, Mr. Flintstone. And-and thanks.

347
00:18:15,000 --> 00:18:17,000
[Pebbles giggling]

348
00:18:17,000 --> 00:18:20,000
Now, not one word out of you, young lady.

349
00:18:20,000 --> 00:18:21,000
[Pebbles giggling]

350
00:18:23,000 --> 00:18:28,000
♪ Figaro Figaro Figaro ♪

351
00:18:28,000 --> 00:18:30,000
- How's that, Fred? - Marvelous.

352
00:18:30,000 --> 00:18:32,000
You sound just like Jeanette Rockdonald.

353
00:18:32,000 --> 00:18:34,000
[Fred laughing]

354
00:18:34,000 --> 00:18:36,000
Uh, Mr. Rockley, ha ha ha.

355
00:18:36,000 --> 00:18:38,000
I wonder when they'll announce the winner of the auditions.

356
00:18:38,000 --> 00:18:40,000
Oh, didn't you hear? That's out.

357
00:18:40,000 --> 00:18:44,000
The sponsor wants Ann Margrock to do a one woman show.

358
00:18:44,000 --> 00:18:46,000
Sorry.

359
00:18:46,000 --> 00:18:50,000
Barn, what do you think of Roary Flintstone

360
00:18:50,000 --> 00:18:52,000
for a stage name?

361
00:18:52,000 --> 00:18:54,000
Or maybe Kirk would be better.

362
00:18:54,000 --> 00:18:55,000
I like fatso.

363
00:18:55,000 --> 00:18:57,000
Hey, what're you two clowns doing here?

364
00:18:57,000 --> 00:19:01,000
- Getting ready to go on. - Yeah, that's a hard one.

365
00:19:01,000 --> 00:19:04,000
- As what? - Let's give him a sample, Barn.

366
00:19:04,000 --> 00:19:06,000
[humming]

367
00:19:06,000 --> 00:19:07,000
What's that sound like?

368
00:19:07,000 --> 00:19:09,000
Ha ha ha.

369
00:19:09,000 --> 00:19:10,000
Tonsillitis, what else?

370
00:19:10,000 --> 00:19:13,000
- Come on, who are you kidding? - But it's true.

371
00:19:14,000 --> 00:19:16,000
Would you like to make a small wager on it?

372
00:19:16,000 --> 00:19:22,000
Oh, we might. Then, how much do you feel you can afford to lose?

373
00:19:22,000 --> 00:19:24,000
Ah, shall we say, uh, ten bucks?

374
00:19:24,000 --> 00:19:26,000
- Make it 15. - How about 20?

375
00:19:26,000 --> 00:19:28,000
- Why not 30? - Done.

376
00:19:28,000 --> 00:19:30,000
- Oh, uh, Mr. Rockley? - 'Yeah?'

377
00:19:30,000 --> 00:19:33,000
Would you kindly tell my friend here, who won the audition?

378
00:19:34,000 --> 00:19:35,000
I told you nobody.

379
00:19:35,000 --> 00:19:38,000
Ann Margrock's doing the show alone.

380
00:19:38,000 --> 00:19:41,000
A...a.. Alone?

381
00:19:41,000 --> 00:19:43,000
Ha ha ha.

382
00:19:43,000 --> 00:19:45,000
Well, I'll see you fellows on payday.

383
00:19:45,000 --> 00:19:46,000
Ha ha ha.

384
00:19:46,000 --> 00:19:48,000
- Kinda tough, uh, Fred? - Yeah.

385
00:19:49,000 --> 00:19:50,000
(Annie) 'Hi, fellas? All set?'

386
00:19:50,000 --> 00:19:54,000
Uh, Annie, there's something I have to tell you.

387
00:19:54,000 --> 00:19:56,000
- What is it? - I really feel awful about it.

388
00:19:57,000 --> 00:20:02,000
But, you see...well, we can't give you your big chance.

389
00:20:02,000 --> 00:20:04,000
Because we're not gonna be on the show.

390
00:20:04,000 --> 00:20:06,000
- You're not? - Nope.

391
00:20:06,000 --> 00:20:09,000
But you told Wilma. All your friends will be watching.

392
00:20:09,000 --> 00:20:12,000
I know, but that's not what bothers us.

393
00:20:12,000 --> 00:20:14,000
Uh, what we're really sorry about is

394
00:20:14,000 --> 00:20:16,000
raising your hopes like we've done.

395
00:20:16,000 --> 00:20:19,000
Yeah, we're not good enough for the big time

396
00:20:19,000 --> 00:20:22,000
but you, you're young and-and really talented.

397
00:20:22,000 --> 00:20:24,000
Gee, we would've loved to have been able to

398
00:20:25,000 --> 00:20:26,000
give you your chance.

399
00:20:26,000 --> 00:20:28,000
You mean that's what really bothers you?

400
00:20:28,000 --> 00:20:30,000
That I'll be disappointed?

401
00:20:30,000 --> 00:20:33,000
Uh, I guess we're a couple of phonies.

402
00:20:33,000 --> 00:20:34,000
You really deserve better.

403
00:20:35,000 --> 00:20:36,000
[upbeat music]

404
00:20:36,000 --> 00:20:41,000
And now the star of our show, Ann Margrock!

405
00:20:41,000 --> 00:20:44,000
Now don't you go away, you two. You wait right there.

406
00:20:44,000 --> 00:20:46,000
Hey, where're you going?

407
00:20:46,000 --> 00:20:49,000
Annie, wait. Get out of there.

408
00:20:49,000 --> 00:20:53,000
Hurry! They'll call the cops. They think Annie is..

409
00:20:53,000 --> 00:20:54,000
(together) Ann Margrock!

410
00:20:54,000 --> 00:20:57,000
[rock music]

411
00:21:03,000 --> 00:21:08,000
♪ I ain't going to be your fool no more ♪

412
00:21:08,000 --> 00:21:12,000
♪ Cried and cried till my eyes were sore ♪

413
00:21:12,000 --> 00:21:14,000
♪ I gave you all the love I had ♪

414
00:21:14,000 --> 00:21:16,000
♪ Still you tried to treat me bad ♪

415
00:21:16,000 --> 00:21:21,000
♪ I love you but I ain't gonna be your fool ♪

416
00:21:21,000 --> 00:21:25,000
♪ I'm sick and tired of all your cheating' and lying' ♪

417
00:21:25,000 --> 00:21:30,000
♪ I'm gonna find myself a boy to keep my heart from cryin' ♪

418
00:21:30,000 --> 00:21:32,000
♪ Then you will be so blue ♪

419
00:21:32,000 --> 00:21:34,000
♪ A weepin' and a moanin' and a cryin' too ♪

420
00:21:34,000 --> 00:21:37,000
♪ I love you but I ain't gonna be your fool ♪

421
00:21:39,000 --> 00:21:41,000
♪ Last night I thought about you ♪

422
00:21:41,000 --> 00:21:43,000
♪ About things that we used to do ♪

423
00:21:43,000 --> 00:21:46,000
♪ About things that we used to say ♪

424
00:21:46,000 --> 00:21:48,000
♪ But that was yesterday ♪

425
00:21:48,000 --> 00:21:52,000
♪ I'm a gonna change my ways now it's my turn to play ♪

426
00:21:52,000 --> 00:21:56,000
♪ Gonna find me somebody new a-take-a-place-a-you now ♪

427
00:21:57,000 --> 00:22:01,000
♪ I ain't going to be your fool no more ♪

428
00:22:01,000 --> 00:22:04,000
♪ Cried and cried till my eyes were sore ♪

429
00:22:05,000 --> 00:22:07,000
♪ I gave you all the love I had ♪

430
00:22:07,000 --> 00:22:10,000
♪ Still you tried to treat me bad ♪

431
00:22:10,000 --> 00:22:13,000
♪ I loves you but I ain't going to be your fool ♪

432
00:22:13,000 --> 00:22:16,000
[music continues]

433
00:22:27,000 --> 00:22:31,000
♪ You're gonna find out just what you've done wrong ♪

434
00:22:31,000 --> 00:22:36,000
♪ You're gonna wake up in the morning baby I'll be gone ♪

435
00:22:36,000 --> 00:22:38,000
♪ Each and every day of the week ♪

436
00:22:38,000 --> 00:22:40,000
♪ I can't eat my dinner and I can't sleep ♪

437
00:22:40,000 --> 00:22:43,000
♪ I loves you but I ain't gonna be your fool ♪

438
00:22:44,000 --> 00:22:47,000
♪ I loves you but I ain't going to be your fool ♪

439
00:22:49,000 --> 00:22:53,000
♪ I loves you but I ain't going to be your fool ♪♪

440
00:22:53,000 --> 00:22:55,000
[crowd cheering]

441
00:22:55,000 --> 00:22:59,000
And now, to a very special little listener..

442
00:22:59,000 --> 00:23:02,000
...I'd like to say, goodnight.

443
00:23:02,000 --> 00:23:05,000
- Goodnight, Pebbles. - Good-ba.

444
00:23:05,000 --> 00:23:07,000
Come on, fellas, I need some help.

445
00:23:07,000 --> 00:23:09,000
Let's take it from the top.

446
00:23:09,000 --> 00:23:11,000
[upbeat music]

447
00:23:13,000 --> 00:23:17,000
♪ You're gonna find out just what you've done wrong ♪

448
00:23:17,000 --> 00:23:22,000
♪ You're gonna wake up in the morning baby I'll be gone ♪

449
00:23:22,000 --> 00:23:24,000
♪ Each and every day of the week ♪

450
00:23:24,000 --> 00:23:26,000
♪ I can't eat my dinner and I can't sleep ♪

451
00:23:26,000 --> 00:23:30,000
♪ I loves you but I ain't gonna be your fool ♪

452
00:23:30,000 --> 00:23:34,000
♪ I loves you but I ain't gonna be your fool ♪

453
00:23:34,000 --> 00:23:38,000
♪ I loves you but I ain't gonna be your fool ♪♪

454
00:23:41,000 --> 00:23:42,000
[theme song]

455
00:23:44,000 --> 00:23:46,000
♪ Flintstones meet the Flintstones ♪

456
00:23:46,000 --> 00:23:50,000
♪ They're the modern stone age family ♪

457
00:23:50,000 --> 00:23:52,000
♪ From the town of Bedrock ♪

458
00:23:52,000 --> 00:23:56,000
♪ They're a page right out of history ♪

459
00:23:56,000 --> 00:23:59,000
♪ Someday maybe Fred will win the fight ♪

460
00:23:59,000 --> 00:24:02,000
♪ And that cat will stay out for the night ♪

461
00:24:02,000 --> 00:24:04,000
♪ When you're with the Flintstones ♪

462
00:24:04,000 --> 00:24:08,000
♪ Have a yabba-dabba-doo time a dabba-doo time ♪

463
00:24:08,000 --> 00:24:11,000
♪ You'll have a gay old time ♪

464
00:24:18,000 --> 00:24:21,000
♪ We'll have a gay old time ♪♪

465
00:24:22,000 --> 00:24:23,000
Wilma!

466
00:24:23,000 --> 00:24:25,000
[banging on door]


